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Sitar
Tuning Guide |
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TUNING
CHART
RAVI SHANKAR STYLE
So the tuning is :
M ̣S ̣̣̣̣̣ ̣P ̣̣̣̣̣ ̣S ̣P S
Ś
Click on the picture to view the full size
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TUNING
CHART
VILAYAT KHAN STYLE
So the tuning is:
M -- ̣S ? ? S Ś
(? can be the Vadi or Samavadi, prominent notes of a
Raga)
Click on the picture to view the full
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Benares style
tuning
is just like the Ravi Shankar style
except they substitute the 4th SA string
for a #12 size gauge 'GA'. like the Vilayat
Khan style. This 'GA' can be tuned to a
variety of notes within the Vilayt Khan and
other tunings depending on the Raga being
played. So the tuning is M
̣S ̣̣̣̣ ̣P ? ̣P S Ś
(? can be the Vadi or Samavadi note, prominent
notes of a Raga, and the P can be changed to M
depending on the Raga)
Traditional style tuning
is just like the Ravi
Shankar style except that the 4th is gone all
together and the 3rd is put in its place.
A second Sa (No. 2) string is added in its
place as 3rd string. So the tuning is
M ̣S ̣S ̣̣̣̣
̣P ̣P S Ś (The P notes
can be changed to M notes depending on the
Raga)
Sympathetic strings (tarab or taraf) The
example shown on the charts is just a basic reference. The tuning of these
strings will vary according to the Raga being played. NOTE:On some very low
end sitars, do not tune the top sympathetics to D & E, rather leave them at
C instead as they will often break...........
We refer to string sizes for example as #12 (.012)
would be a 3 gauge elsewhere and so on...........
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STRING GAUGES FOR RAVI SHANKAR STYLE TUNING
| 1st |
string |
(MA |
or |
"F").....
.#12 |
size |
- |
.01185 |
inch |
| 2nd |
string |
(SA |
or |
"C").......#16 |
size |
- |
.01565 |
inch |
| 3rd |
string |
(PA |
or |
"G").......#22 |
size |
- |
.02180 |
inch |
| 4th |
string |
(Low |
SA |
or C").....#28 |
size |
- |
02765 |
inch |
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| 5th |
string |
(Pa |
or |
"G").......#11 |
size |
- |
.01085 |
inch |
| 6th |
string |
(SA |
or |
"C").......#
9 |
size |
- |
.00875 |
inch |
| 7th |
string |
(High |
SA |
or "C")... #9 |
size |
- |
.00875 |
inch |
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Sympathetic |
strings |
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#9 |
size |
- |
.00875 |
inch |
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STRING GAUGES FOR VILAYAT KHAN STYLE TUNING
1st |
string |
(MA |
or |
"F")........#12 |
size |
- |
.01185 |
inch |
2nd |
string |
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NOT |
USED |
3rd |
string |
(SA |
or |
"C").......#16 |
size |
- |
.01565 |
inch |
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4th |
string |
(GA |
or |
"E")...... #12 |
size |
- |
.01185 |
inch |
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5th |
string |
(Pa |
or |
"G")...... #11 |
size |
- |
.01085 |
inch |
6th |
string |
(SA |
or |
"C").......# 9 |
size |
- |
.00875 |
inch |
7th |
string |
(High |
SA |
or "C")... # 9 |
size |
- |
.00875 |
inch |
Sympathetic |
string |
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# 9 |
size |
- |
.00875 |
inch |
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How to tie on Frets
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Fret tying diagram (click to make larger) |
Fret
tying diagram (click to make larger) as taught to Scott Hackleman in
Delhi by Kartar Chand Sharma of the legendary Rikhi Ram family. |
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Notes On Tuning
To prevent pegs from
slipping you want to use
chalk but not blackboard
chalk. It should not
contain lead. We sell a
rosin made especially
for sitars pegs that
prevent the slipping.
And you can find that in
our Accessories page
here:
http://www.sitarsetc.com/sitarpages/strings_and_things.htm
But in general, most
students do not apply
sufficient pressure in
pushing the pegs in the
peg hole. Since they
have a very good
instrument, they feel
that they must be extra
gentle with it, but
there must be sufficient
pressure applied to keep
the pegs for slipping.
Recommendations for
tuning:
Use a electronic
Tanpura, piano,
harmonium, keyboard,
tuning fork, guitar, or
other means of obtaining
your Sa tone. I would
suggest using an
electronic Tanpura.
Indian music uses the
natural scale as opposed
to the well tempered
western type tuning
scale.
The best way it can
be described is that the
notes in the natural
scale travel when
sounded in a sine wave
pattern and when two
notes are sounded, the
combination meshes or
they travel together in
sync and you can hear
the difference between
this "sync" and the
tempered scale if you
have a good ear, but in
general, they sound
mellow together as
opposed to discordant.
There is a certain
relationship between Sa
and Pa or Sa and Ma or
Sa and Ga that can only
be learned by listening
to a tuning and the
sounding of the notes.
Learning this
relationships will help
you tune to the natural
scale.
Tune the 2nd string, the
jora, tuned to S. and
make sure you applied
pressure to the peg as
you tune it. Then pull
the string up with your
fingers away from the
sitar neck. Let it
return to its natural
position and sound it.
If it has stayed in
tune, then go on to the
next step, but if it has
not, then retune it.
Keep doing this until
the string no longer is
out of tune when you
pull it away and it
returns back to it
normal position.
Then tune the 1st
string. Follow the same
procedure, but instead
of pulling the string
up, pull on it from the
ri fret, that's the 8th
fret to do a meend all
the way to pa.
Keep adjusting the
string until it is in
tune and you can pull
the meend and the string
does not go out of
tune. After tuning the
1st string, you must go
back and tune the 2nd
string again.
Then tune the 3rd string
the same way you tuned
the 2nd string. Go back
and retune the 2nd and
1st strings if they have
gone out of tune.
Then tune the 4th string
following the same
procedure.
Then tune the 5th
string, the 6th string
and the 7th string.
Re-check all the top
strings. again.
Tune the sympathetics
starting at the shortest
one, to whatever raga
you are
playing.
as an example:
Raga Bilawal
From the shortest
R' S' N D D P M G G R S
N. S
Use chalk or rosin by
roughing up the peg a
little with coarse sand
paper,
placing the chalk or
rosin on a paper towel,
and rubbing it on the
peg and
then replace the peg.
Do the procedure a
couple of times on the
pegs
affected.
It is normal for the
strings to give. It
really isn't so much the
pegs
slipping, but rather the
string giving a little.
Eventually the strings
will settle and the
problem goes away
somewhat, but you will
always have to
do the pulling and
retightening in your
tuning procedure, even
the best and
most costly sitars
cannot avoid this, it a
part of sitar tuning
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